Love/愛. printer paper and markers, 2023 (after my release from detention centre).
I categorize creation into two types: one that is planned, premeditated, and its purpose foreseeable; and another that is spontaneous, unavoidable, like a person vomiting after consuming metal and
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Love/愛. printer paper and markers, 2023 (after my release from detention centre).
I categorize creation into two types: one that is planned, premeditated, and its purpose foreseeable; and another that is spontaneous, unavoidable, like a person vomiting after consuming metal and soil. The latter is essentially an expulsion of heterogeneous existence from one's own experience. I realize that the concept of "love" has become a taboo in various forms in this place. Consequently, it has acquired an infinite connotation akin to a blank sheet of paper. I attempt to discover a means to preserve radicalism itself, without (needing to/being able to) explain any of the content it embodies.
（我將創作分為兩種：一種是有計畫、有預謀、提前可以預想到其目的的；另一種是沒有任何準備、迫不得已的、像一個人吃下了金屬和泥土之後的嘔吐。後者本質上是對自己經驗中異質性存在的排泄。我意識到，「愛」這個能指所指代的事物在這片地方已經成為了這樣那樣的禁忌。由此，它獲得了一種和白紙一樣的、具有無限性的內涵。我試圖從中發現一種對激進性本身的保存，而不去（不需要去/不可能去）對激進性所蘊含的任何一種內容作出解釋。）
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